I have to confess it came as a shock to learn that actor
Robin Williams committed suicide by hanging the other day at the age of 63. He seemed to
possess this manic energy, whether on-screen or in public. Although he battled
drug addiction behind the scenes, who knew that he was also fighting a losing
battle against severe depression? He no doubt concealed very well from the
world this “other” side.
I don’t pretend to know the precise nature of the illness
that caused him to take his own life. However, it is interesting to note that a
person with bipolar disorder (formerly termed manic depression) can be on one
hand extremely talkative, gregarious and unusually optimistic about him or
herself and life—yet on the other hand be listless, miserable and generally
uninterested in living, in which in extreme cases can lead to suicide.
In any case, Williams is another performer whose fame was
for another generation. He first made a household name for himself in the
television sitcom Mork and Mindy, in
which he played a Martian with an odd—and “manic”—sense of humor. Like Tom
Hanks, who also started out in TV comedy, he made some so-so comedy films
before gravitating into more serious films, eventually winning a best
supporting actor Oscar for Good Will
Hunting.
But one film I recall that at the time seemed completely out
of character for him was One Hour Photo,
in which Williams portrayed a slightly sociopathic shopping mall photo shop attendant
who insinuated himself into a particular family’s existence by “examining” the
photographs they brought in to be developed, without their knowledge. Unfortunately
for the husband, the photo attendant happened to come across pictures of him
with a woman other than his wife, and this discovery set the stage for the
attendant’s own frightening brand of retribution. In hindsight, Williams’
convincing performance as a “well-meaning” psycho in this film may seems uncannily
prescient of his own, hidden private troubles.
Yet in the end, my image of Robin Williams that is hard to
shake, and one that he apparently cultivated publicly, was that of a boy who
never grew-up, forever youthful and exuberant even into his sixties. It is sad
to discover that perhaps it was only a cover for his private, tortured reality.
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