Was Donald Trump acting bored and
restless during the singing of the national anthem before the Super Bowl because
the singer, Demi Lovato, is Hispanic? Just a thought. Anyways, Hillary Clinton
was making the rounds again with her identity politics and complete lack of
balance, proportion or—egads—honesty, this time on the Ellen DeGeneres show,
which you can tell by DeGeneres’ fangirl excitement explains why Clinton only
appears on “fangirl” interview programming. Clinton told her once again that
Sanders is “unelectable.” That’s odd—wasn’t this two-time loser the fawning
media’s “prohibitive favorite” in 2008 and
2016—facing first the “inadequate black
male” who “white people won’t vote for,” and the second time to the
“unelectable” Donald Trump? Before, Clinton was blaming everyone and everything
under the sun for her loss to Trump, but is now blaming Sanders almost exclusively,
for among other things not endorsing her until July, which is odd. When did
Clinton endorse Obama? Wasn’t it around that same month in 2008 that this sicko
was insisting that some “miracle” might happen, like something might happen to
Obama like what happened Robert F. Kennedy in 1968?
Clinton continues to prove on a
daily basis that she is as much a trafficker in lies and falsehoods as Trump,
although Elizabeth Warren is a close runner-up.
She claims that the majority of Sanders’ support didn’t vote for her;
yet polls show that a higher percentage of Sanders supporters voted for Clinton
than Clinton’s voted for Obama in 2008. I mean, does anybody remember Clinton
being “out there” campaigning for Obama, even in 2012? Clinton “doubled-down”
on claiming that Sanders is “unlikeable” and “unelectable,” despite the
evidence that Clinton proved to be less “likeable” than even Trump. While Trump
was claiming he was going to “Make America Great Again,” all the megalomaniacal
Clinton had to offer was “I’m With Her”
while those working class voters in the Midwest were asking “Yeah, but what’s
in it for us?”
Clinton claimed that Sanders is
sowing “discord” in the Democratic Party, yet it is Clinton and the Democratic
establishment who have been the principle agents of discord in their hypocritical
attacks on Sanders. Why don’t people like DeGeneres have the courage to tell
her foul to her face, that Clinton has only the illusion that people “like” her
because she only allows herself to be interviewed by her fans? Well, because for
people like DeGeneres it is also all about identity politics; remember when she
hosted the Academy awards show a few years ago, she showed her petty politics
by moaning that 12 Years a Slave
would probably win Best Picture over Gravity
with that film’s slightly “feminist” angle because of race (it was the first
time that a film by a black director won the award). Clinton, for all her many faults, is still someone of whom people who politicize gender identify with.
Of course, Clinton was of the
past, and that is where she should stay, because we don’t need the “advice” of
a two-time loser. Dealing with the “now,” Warren’s current campaign slogan is
“Courage Over Cynicism,” and “cynicism” certainly defines Warren devolving from
being an alleged “policy wonk” to “identity” politics. Instead of defending her
policies—let alone explaining them—she is making gender politics the “theme” of
her campaign. Like so many female candidates who can’t compete on the issues,
she resorts to appeals to gender “victimization.” In the “MeToo” era that might
work for fellow “victims,” but it turns off most voters, who don’t think that
it is a good enough reason to vote for her. Meanwhile, John McCormack of the National Review called out another fan
favorite, Pete Buttigieg, calling his campaign increasingly a “cult of
personality” over substance.
Identity politics has a bad habit
in delving in not just hypocrisy (the Black Lives Matter movement tends to
ignore high crime and homicide rates in their communities), but for gender
politicians a decided lack of balance and proportion. After a female
New York Times reporter responded to
the news of Kobe Bryant’s and eight other deaths (including his daughter and
two other girls) by tweeting a link to a story about a 2003 sexual assault
accusation, another such story surfaced concerning the principal of Camas High
School in Washington State, Liza Sejkora, who was suspended over a
now-deleted Facebook post that read: “Not gonna lie. Seems to me that
Karma caught up with a rapist today.” The fallout was so rapid that she quickly
deleted the post, but not before many students heard of it and demanded her
firing and threatened a walkout. Former WNBA star and friend of Bryant's, Lisa Leslie, questioned why people are relitigating the past when his family and that of the rest who were killed in the helicopter crash are grieving. Bryant's alleged victim is still among the living, helped by an unknown, but likely substantial, sum of money from a civil settlement. And I have nothing but contempt for anything that Amy "I used to date Hispanic guys, but now I prefer consensual" Schumer has to say in defense of insensitive racists like herself.
Balance and proportion come into
play when we note that women don’t seem to want to take “ownership” over crimes
when the victims are children and the perpetrators are female. Last September
in Albany Township in Pennsylvania, Lisa Snyder called 9-1-1 to report that her
8-year-old son had hanged himself with a dog leash, after killing his
4-year-old sister because he “didn’t want to go alone,” or so she claimed. In
December she was charged with first-degree murder and third-degree murder—and
animal cruelty, including having “sexual intercourse” with a dog. Unfortunately
for Snyder, would-be apologists and defenders were few, because the evil of her
actions were clearly planned and calculated; she had only days earlier
purchased the dog leash without a dog the size it was meant for, and
investigators had discovered on her computer searches for how to hang people.
Also on her computer were found photos
of her engaging in those “sex acts” with that dog, which she apparently “shared”
with another woman on the Internet.
But this story did not receive
any national press. One story that did receive a little more “press” was one concerning
an Arizona woman, Rachel Henry, who suffocated to death her three young
children while “singing” to them two years ago, a case which has only this month led to
charges of murder; judging from the articles on the murders, there was much
“sympathy” for Henry and dozens of possible “explanations” for her actions. But
the judge in the case was apparently appalled by her attitude about the
killings. When told she would have to post $3 million bail or go to prison,
Henry expressed “surprise” that she wasn’t going home. She also wondered why
she had to post bail anyways because she didn’t have a job. This is clearly a
person who doesn’t believe she did anything wrong—and she would be correct in
that assumption if you read those reports largely composed by female
“researchers” and “psychologists” who try to make differentiation in the level
of moral and criminal culpability between “maternal” and “paternal” filicide
the same as “understandable” with the former, and “evil” with the latter.
Shoehorning in politics is
something that is becoming increasingly tiresome and is mostly a U.S. fad. A UK
reviewer of the Avengers’ film Endgame on Amazon
noted that “I hated the 'Brie Larson' role
(MC’s “Captain Marvel,” who is supposed to be “stronger” than DC’s Superman) and
the all WOMEN scene in the theater nearly made me walk out. Don't understand me
wrong, I have nothing against what they believe in or anyone's opinion, it is
just that I am not from the States and I do not care. When I go to watch a
movie, I do not care who sleeps with whom, who marries what, or the gender
power identity politics enforced into the movies. I go to watch a movie to have a break from reality, have fun
with family and friends, but recently this is turning to dust with the quality
released by Hollywood, as if someone snapped their fingers and just killed
creativity in Hollywood. My disgust is focused at the fact that the movie had
too much forced political narrative and lately Disney is excelling at it.”
As an
aside, I’m not “into” today’s comic book movies, not just because of the forced
politics (except when it comes to characters with “ethnic” backgrounds, because
there aren’t any), but they take themselves way too seriously, when they are in
reality complete CGI fantasies. I thought that Thor: Ragnarok was fairly
entertaining because it poked fun at the genre (more so than Guardians of the Galaxy, although less
so than Galaxy Quest), Wonder Woman was alright because of its
humanity; I certainly didn't see it as the feminist "girlpower" anthem that some have chosen to (and frankly, I’d take Gal Gadot’s “foreign” sensibility over Larson’s
American “sensibility” 365 days a year, 366 if it’s a leap year), and of course there was the Joker which isn’t really
a “comic book” movie anyway.
It’s not easy to escape identity politics, even at the dentist’s office, where I was the other day. A white female dental assistant who was assisting the dentist working on my teeth was singing the words to Gloria Gaynor’s “I Will Survive” that was being piped in through loud speaker, and then talked with the dentist about how her white daughters were going to special schools, and about recent films. She apparently didn’t “get” Once Upon a Time in Hollywood, and admitted she didn’t see the “foreign language” film up for a best Oscar nomination because she isn’t into films with subtitles; that was the Korean film Parasite (the academy voters were apparently only limited in its election year politics, because the deserving Spanish-language film Roma did not make it among the 10 films up for best picture). Perhaps this shouldn’t be a surprise, since Parasite is a black comedy that examines social class prejudice, and not American gender politics. After I was able to open my mouth again I mentioned that I was old enough to appreciate Hollywood for its “nostalgia” value, it’s insertion of the antics of the Manson Family into the narrative, the old-timey radio commercials, and the look at how former Hollywood stars had fallen so low that they had to take roles beneath their past glory. I went on to say that films like Hollywood appealed to me because I dislike today’s politicized bullshit. She listened politely and walked out, addressing me as "senor."
It’s not easy to escape identity politics, even at the dentist’s office, where I was the other day. A white female dental assistant who was assisting the dentist working on my teeth was singing the words to Gloria Gaynor’s “I Will Survive” that was being piped in through loud speaker, and then talked with the dentist about how her white daughters were going to special schools, and about recent films. She apparently didn’t “get” Once Upon a Time in Hollywood, and admitted she didn’t see the “foreign language” film up for a best Oscar nomination because she isn’t into films with subtitles; that was the Korean film Parasite (the academy voters were apparently only limited in its election year politics, because the deserving Spanish-language film Roma did not make it among the 10 films up for best picture). Perhaps this shouldn’t be a surprise, since Parasite is a black comedy that examines social class prejudice, and not American gender politics. After I was able to open my mouth again I mentioned that I was old enough to appreciate Hollywood for its “nostalgia” value, it’s insertion of the antics of the Manson Family into the narrative, the old-timey radio commercials, and the look at how former Hollywood stars had fallen so low that they had to take roles beneath their past glory. I went on to say that films like Hollywood appealed to me because I dislike today’s politicized bullshit. She listened politely and walked out, addressing me as "senor."
I had to
move on to another cubicle to get my teeth cleaned; the assistant there was also
“ethnic,” and he tended to agree with my perspective of the world we live in. I
don’t take being patronized lightly, especially when there are truer
demarcation lines in this country. I mentioned that I wished two-time loser Hillary
was would just shut the hell up about Sanders, about how J-Lo probably pissed
Trump off with she and her daughter’s inserting a few lines of Bruce Springsteen’s
“Born in the USA” into their Super Bowl performance while unveiling her Puerto Rican flag
wrap. I also noted that Trump’s complete lack of empathy for Puerto Rico’s U.S.
citizens after Hurricane Maria and the recent earthquakes proved that it wasn’t
just about illegal immigrants with Trump and Stephen Miller. I also mentioned a memory of the past, back when I was "little," about a boy my age or a little younger who seemed to be happy-go-lucky and had this infectious smile--which unfortunately revealed a mouthful of rotting teeth. Even then it bothered me, even when I had my own problems, like when a gang of white kids had me pinned down right in front of our house, stuffing grass in my mouth. I wonder why his parents didn't teach him how to brush his teeth (they couldn't have been that poor), or why teachers never said anything; I mean, this wasn't some barrio, this was suburban Wisconsin. Yeah, that's right, the kid was Hispanic, and he could have just have been one of those kids locked-up in one Trump's concentration camps.
When I we
were finished, I walked past the cubicle and observed that assistant looked at
me with a depressed expression, having overheard the conversation. Sorry for
harshing your mellow, but some people in this world have things a lot tougher
than you and your daughters will ever know.
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